

from Encoding the Self
from Encoding the Self
from Urban Echoes in the Gully of Memory

from Encoding the Self

from Urban Echoes in the Gully of Memory
This programme enables students to explore and develop their creative practice through the medium of sound design and music composition/production for the moving image. The emphasis of the programme rationale is the interplay between creative practices underpinned by theoretical research and mediated through the craft elements of sound production within a visual environment. This practice of sound production is applied to film, animation, television, virtual reality, new media, electronic games and sound art.
Students also engage with the theoretical and historical framework of sound for the moving image thus facilitating the ability to contextualise their own work within this framework.
The programme promotes production of original work, through individual or group-based research, that is conceptually-driven, aesthetically challenging and wide-ranging in its use of sound design and music production/composition.


from Encoding the Self
from Encoding the Self
from Urban Echoes in the Gully of Memory

from Encoding the Self

from Urban Echoes in the Gully of Memory


from DigiTouch

from KNOW YOUR MEAT

from Crescent Moon Shield of the Dawn

from Crescent Moon Shield of the Dawn

from Atrophy


from Astrobot – Sky Garden – Music Redesign

from Ex Oblivione

from ‘9’ – Sound Redesign for Surround Sound


from DREAMBOOK

from Sound-Plane Transformation Experiment: 5 Perception Faults in the Brain

from [redacted] in A minor

from [redacted] in A minor

from DREAMBOOK


from Remember Me

from CosmoSound

from CosmoSound

from The Plateau

from Remember Me


from Computer (Generative Supercut Film)

from I GENERATE… stills

from I GENERATE… stills

from Postgraduate Degree Show Installation

from I GENERATE… stills


from The Ears Of Child