

from The Ears Of Child
This programme enables students to explore and develop their creative practice through the medium of sound design and music composition/production for the moving image. The emphasis of the programme rationale is the interplay between creative practices underpinned by theoretical research and mediated through the craft elements of sound production within a visual environment. This practice of sound production is applied to film, animation, television, virtual reality, new media, electronic games and sound art.
Students also engage with the theoretical and historical framework of sound for the moving image thus facilitating the ability to contextualise their own work within this framework.
The programme promotes production of original work, through individual or group-based research, that is conceptually-driven, aesthetically challenging and wide-ranging in its use of sound design and music production/composition.
from The Ears Of Child
from DREAMBOOK
from Sound-Plane Transformation Experiment: 5 Perception Faults in the Brain
from [redacted] in A minor
from Sound-Plane Transformation Experiment: 5 Perception Faults in the Brain
from DREAMBOOK
from DigiTouch
from Crescent Moon Shield of the Dawn
from KNOW YOUR MEAT
from Crescent Moon Shield of the Dawn
from DigiTouch
from ‘9’ – Sound Redesign for Surround Sound
from Astrobot – Sky Garden – Music Redesign
from Ex Oblivione
from The Plateau
from The Sugarboat
from Persona Re-Sound Design
from Remember Me
from CosmoSound
from Encoding the Self
from Urban Echoes in the Gully of Memory
from Encoding the Self
from Urban Echoes in the Gully of Memory
from Encoding the Self
from I GENERATE… stills
from Postgraduate Degree Show Installation
from I GENERATE… stills
from Computer (Generative Supercut Film)
from I GENERATE… stills