MDes Graphic Design/​​Illustration/​​Photography School of Design

Ziyi Xiang

My research and practice focused on the relationship between objects, memory, and emotion.

In the early stage, I used childhood memories as a starting point and selected objects that held personal significance for me to trigger associations. I recorded these memories and emotions in writing. As a result, I chose poetry as the main form to convey my emotional experiences with objects. Combined with illustrations, these works were compiled into a poetry collection titled Quiet Witnesses.

In the mid-stage, I returned to the content of this collection, re-analysing and extending it while considering how my poetic practices could be translated into tangible objects. I selected one poem as the main practice direction and explored the imagery of “tear stains on a pillow” through visual experiments, mainly using screen printing as my method.

In the later stage, I shifted to tissues as a new practice medium, reflecting on how private emotions might be transformed into expressions with more collective resonance. I aimed to design interactive visual works that allow audiences to contribute their emotional experiences, creating opportunities for exchange and empathy.

My work begins with deeply personal memories,  but its significance grows when others share, echo, and reinterpret these emotions. By using visual language as a bridge, I hope my practice can preserve memory and spark reflection on how objects carry emotional weight in our collective lives.

Contact
xiangzi824@gmail.com
Z.Xiang1@student.gsa.ac.uk
Works
Quiet Witnesses
Sadness on the Pillow
Dry Your Tears

Quiet Witnesses

《静默的见证者》是一本关于童年记忆的诗集,记录了我与家人的关系随着年龄增长而逐渐疏远的过程。故事以搬家为分界线,分为“家1”“家2”两部分。每首诗都源于一件唤起我早年记忆碎片的物品。这些物品虽然无声,却承载着我对家人的回忆,静静地见证着成长的酸甜苦辣。

这本书的整体设计灵感源自房屋的形状,并以两种颜色区分两个部分。读者可以从书的两侧开始,展开书页,揭开隐藏其中的诗歌。这种形式源于我童年时折纸的记忆,将阅读转化为一种亲密的探索行为。对读者来说,这个过程提供了进入他人私人记忆和情感世界的体验。对我来说,这是一种解开长久以来隐藏在记忆深处的秘密的方式。

Sadness on the Pillow

Sadness on the Pillow is based on the poem Pillow. I screen-printed the poem, about tears and sadness, onto the surface of a pillow, then blurred the text with water to evoke the feeling of sorrow gradually fading away, just as described in the poem: watching my grief float away in the wash. In this work, the pillow is transformed from a functional object into a narrative carrier. It speaks from its own perspective, silently witnessing the fragility of my childhood and the moments of unspoken crying. Even though the reasons for sadness may have been forgotten, the traces of tears remain, preserving the most vulnerable emotional memories.

Dry Your Tears

This work uses screen printing to create positive messages on tissues. These messages are arranged in the style of concrete poetry. People can wipe away tears by pulling out a tissue, letting go of sadness or other negative emotions by drying the tears.