MLitt Fine Art Practice

Stow Building, 50 students

The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of the following combined disciplinary pathways: Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance. The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.

The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.

Welcome

Introduction to MLitt Fine Art Practice

Degree Show Catalogue

from Nikola (NIXA) Martyna Legierska – “CELIBATE WHISPERS”, 2024 GSA DEGREE SHOW

from Nikola (NIXA) Martyna Legierska – “CELIBATE WHISPERS”, 2024 GSA DEGREE SHOW

from Nikola (NIXA) Martyna Legierska – “CELIBATE WHISPERS”, 2024 GSA DEGREE SHOW

from Nikola (NIXA) Martyna Legierska – “CELIBATE WHISPERS”, 2024 GSA DEGREE SHOW

from Nikola (NIXA) Martyna Legierska – “CELIBATE WHISPERS”, 2024 GSA DEGREE SHOW

from He Ain’t Heavy

from Being Blue

from Blue Man

from Heart of What

from Going to My House

from MLitt Fine Art Practice Degree Show 2024

from MLitt Fine Art Practice Degree Show 2024

from MLitt Fine Art Practice Degree Show 2024

from MLitt Fine Art Practice Degree Show 2024

from MLitt Fine Art Practice Degree Show 2024

from Cityscapes – Athens 2022-24

from Cityscapes – Athens 2022-24

from Greek themed work – mortal and divine

from Cityscapes – Athens 2022-24

from Greek themed work – mortal and divine

from The Babel Project

from Has man a future?

from The Babel Project

from Time container

from Time container

from Distorted Glass

from Glass Prism

from Glitch 1

from Broken Bear

from Glitch 2

from Chairs

from Chairs

from Chairs

from Chairs

from Infill in Carbon

from Georgian Relief

from Wedged Tabletop Study- Charcoal on Paper

from Infill

from Georgian Relief

from Hotworks

from Hotworks

from Hotworks

from Hotworks

from Hotworks

from Continued

from Aoluguya Wind Frost·Bridge of Art

from Continued

from The Symphony of Balhu and Glasgow

from Continued

from Degree Show 3D Constructions

from Degree Show 3D Constructions

from Degree Show 3D Constructions

from Degree Show – Sallies

from Degree Show 3D Constructions

from Hermaphroditus

from Hermaphroditus

from Hermaphroditus

from Hermaphroditus

from MOKSHA

from THE TEMPLE

from PATH TO LIBERATION

from TAT TVAM ASI

from YOU ARE THAT

from EVERYONE IS LOOKING FOR PARADISE

from EVERYONE IS LOOKING FOR PARADISE

from TWISTED FANTASY OF THE VINE

from MORPHO CISSEIS

from FOR REAPPEAR

from Me and Kanye

from Adventure Time

from Me and Kanye

from Me and Kanye

from Drifters Archive

from Drifters Archive

from Drifters Archive

from Drifters Archive

from Drifters Archive

a figure of human standing in nonspace

from DIAPHRAGM 隔膜

from HUM

from Untitled

from DIAPHRAGM 隔膜

from HUM

A newspaper promotion poster saying End Times, Destruction Imminent!!!. Apocalypse set for next Tuesday
A white piece of Somerset paper with the word Nuisance embossed upon it in capital letters on a black background

from Alienation

a dark figure stands beside a wall and a gate with the moon shining behind their head. The image is very dark and its hard to make out features

from Alienation

A piece of white Somerset paper with the word Estranged embossed upon it in capital letters on a black background

from Alienation

A Photograph of the introductory text to C U Next Tuesday

from C U Next Tuesday

a lonely ghostly figure sits on the wooden floor of a mouldy room. There is a window in the background.

from Alienation

from Prints

from Surveys of a maerl bed ecosystem before, during and after trawling (degree show)

from Surveys of a maerl bed ecosystem before, during and after trawling (degree show)

from Surveys of a maerl bed ecosystem before, during and after trawling (degree show)

from Surveys of a maerl bed ecosystem before, during and after trawling (degree show)

from The Alchemy

from Chronicle of Polari

from The Alchemy

from Chronicle of Polari

from Chronicle of Polari

from People in the Corridor

from People in the Corridor

from People in the Corridor

from People in the Corridor

from People in the Corridor

Wish Parade Cart

from God lashes6

from God lashes6

from God lashes6

from Wish Parade Cart

from God lashes6

from 新家园,热土 New Homeland, Wonderland

from Drifting Series-2

from Drifting Series-2

from 新家园,热土 New Homeland, Wonderland

from Drifting Series-2

from WHO ARE YOU 1 Main materials: Clay Watercolor Epoxy Date of creation: 2024.4 JiaYao Zhu(Rita)

from Sixt people Main materials: Metal wire Strings Date of creation: 2023.12 JiaYao Zhu(Rita)

from Sixt people Main materials: Metal wire Strings Date of creation: 2023.12 JiaYao Zhu(Rita)

from Sixt people Main materials: Metal wire Strings Date of creation: 2023.12 JiaYao Zhu(Rita)

from MAN

from MAN

from MAN

from MAN

from MAN

from Where Is The Divine Suffering?

from Where Is The Divine Suffering?

from The Ghost Speaks English

from The Ghost Speaks English

UNHOLY TRINITY. Oil on canvas. 223.52 cm x 152.4 cm. 2024.
Oil on canvas. 91.4 cm x 152.4 cm. 2024.

from HELEN CHANDLER

Oil on canvas. 100 cm x 150 cm. 2024.

from HELEN CHANDLER

from HELEN CHANDLER

Oil on canvas. 60.9 cm x 121.9 cm. 2024.

from HELEN CHANDLER

Oil on Canvas. 100.3 cm x 69.8 cm. 2024.

from HELEN CHANDLER

from Body as Landscape

from Untitled (Intestines)

from Body as Landscape

from Body as Landscape

from Untitled (Symbiosis)

from rebellious she

from rebellious she

from rebellious she

from rebellious she

from rebellious she

from A Room to cry in

from A Room to cry in

from A Room to cry in

from A Room to cry in

from A Room to cry in

from Emily Hoover

from I am the Mackintosh Building, I am so burnt out.

from Do you like butter?

from Do you like butter?

from Burning the candle at both ends 2024

from Coming and Going 2024

from Oi…Where you going? 2024

from Hinterland 2024

from Doughnut

from MEMOIRS OF TREES

from Silent Dialogue

from Doughnut

from MEMOIRS OF TREES

from Brave New World

from Brave New World

from Brave New World

from Brave New World

from Brave New World

from Wonderland

from Ghost Spirit

from Amulet

from Ghost Spirit

from Amulet

from life in the kitchen

from life in the kitchen

from What can touch people ?

from Trick and Truth

from Scepter

from A letter to …

from A letter to …

from A letter to …

from A letter to …

from A letter to …

from Digital Water Fountain

from Paradise

from Eternal Space

from Paradise

from Hairly Felt

from SUB-WORLD

from SUB-WORLD

from SUB-WORLD

from SUB-WORLD

from SUB-WORLD

from New Human Cognition Experiment No. 21902

from New Human Cognition Experiment No. 21902

from New Human Cognition Experiment No. 21902

from New Human Cognition Experiment No. 21902

from New Human Cognition Experiment No. 21902

Inside View

from Where Olive Trees Weep

from Number 23 White Rabbit

from Where Olive Trees Weep

from Where Olive Trees Weep

from All of us

from Window

from All of us

from Someone

from Dreams

from Dreams

from Dreams

from Dreams

from Dreams

from Exploring Depictions of Loss Through Oil Painting

from Reenactment of Roman Memorial Methods

from Nostalgia within Contemporary Art

from Nostalgia within Contemporary Art

from Reenactment of Roman Memorial Methods