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MLitt Curatorial Practice
Stow Building, 10 students
This programme, established in 2014 and jointly run by The Glasgow School of Art and the University of Glasgow, offers students the opportunity to study curatorial practice in Glasgow, a city with a vibrant and distinctive international art scene. Throughout the year students are supported to identify and undertake individually motivated curatorial projects and research as the basis for the development of a self-sustaining practice, making this programme distinctive in its delivery.
During this intensive one-year programme, students work closely with artists and a range of organisations, as they consolidate and articulate their practice within an international context of theory and practice. There is a balance between theoretical exploration and critique, where writing and concept-formation are challenged and developed by practical application and experimentation.
from FLUID SPACES: ART ACCESS and AUTONOMY
from Do Rocks Remember Lava?
from FLUID SPACES: ART ACCESS and AUTONOMY
from FLUID SPACES: ART ACCESS and AUTONOMY
from Do Rocks Remember Lava?
from Practice Makes: Govanhill
from Practice Makes: Govanhill
from Practice Makes: Govanhill
from Practice Makes: Govanhill
from Practice Makes: Govanhill
from Instructions for Curating a Transnational Exhibition
from Instructions for Curating a Transnational Exhibition
from Instructions for Curating a Transnational Exhibition
from sooperdooperlooper
from Every(ART)day
from Every(ART)day
from Every(ART)day
from Every(ART)day
from Every(ART)day
from Once Upon A Playground Exhibition 2025
from Fluid Spaces: Art, Access & Autonomy Exhibition 2024
from Once Upon A Playground Exhibition 2025
from Fluid Spaces: Art, Access & Autonomy Exhibition 2024
from Once Upon A Playground Exhibition 2025
from Multilingual Matter(s)
from Multilingual Matter(s)
from Multilingual Matter(s)
from Fluid Spaces: Art, Access, and Autonomy
from Fluid Spaces: Art, Access, and Autonomy
from The Infernal Network
from The Infernal Network
from Fluid Spaces: Art, Access, and Autonomy
from Against the Carceral Frame: Curatorial Practice and the Cultural Politics of Incarceration