MLitt Fine Art Practice School of Fine Art

Eva Paredes

(she/her)

About the work

Inspired in folk tales, the religious beliefs of afterlife and pagan rituals, these textiles are a golem of Mexican pop culture, catholic iconography, paganism, childhood television and Scottish landscapes. Presenting a scenery that zooms into dream-like scenarios, these images derive from nostalgia, motherhood, migration, my Mexican background and finally embracing Scotland as a home after giving birth for the first time.

The intuitive use of needle and thread produced grotesque and rough edges, using fabric remnants from Mexico and Scotland as a background for the first two, was an analogy for the background I am now weaving in here. The largest piece is made of tartan as a desire to deepen my understating on Scottish life, their idiosyncrasies and mannerisms, that year by year become easier to read and to interact with.

Just like the private and the public are permanently intertwined, my work evolves according to these circumstances, subconsciously offering the narrative of migration, motherhood and domestic life. This life period is defined by its constant negotiation between responsibilities. Finding portability in fabric and the and the immediacy of collage a healthy compromise between the two, this is a strong mixture of old ideas and new practices that enables a regeneration of my practice. Absorbing life as much as possible my works thrives on complexity, study of color, folk tales, cultural exchange and constant experimentation.

About the artist

Eva Paredes is a Mexican artist living in Scotland. She studied fine art in Mexico and has collaborated with Mexican and Scottish artists in mural community projects. Though much of her art is painting, after her pregnancy her work steered towards textile art – a personal and aesthetic reinvention. Her work looks for iconic relationships in cinema, television and folk stories, while communicating the emotional experience of living as part of a diaspora, which is to say between places.

 

Contact
E.RParedes1@student.gsa.ac.uk
Works
Textile Work ( brutalism and texture)
Embroidered canvas
Grid Series

Textile Work ( brutalism and texture)

Series about motherhood, feminism, material agency, and the politics of making.

An the intersection of femineity and brutalism, intimacy and monumentality.

The textile, once seen as soft and private, becomes a brutalist gesture in its insistence on presence and endurance.

The home, once considered confining, emerges as an architectural image.

Hermit's Castle (Welcome to Purgatory)

The place that I sew while watching breaking dawn. Romantic sleeples night next to you. I was afraid of not getting the measurements right. Hidden behind rocks and moss My dad's corpse smiles

Hermit's Castle (Welcome to Purgatory)

Mictán (Detalle)

Mictlán

150 x 150 cm Various textile materials

Golem (Detail)

2.80 cm x 2.40 cm 2025

Golem (Detail)

Golem (Detail)

Embroidered canvas

Exploring the boundaries between containment and excess, lace, embroidery add fringes, acting as structures of containment. The canvas itself becomes a kind of skin — stitched and ornamented —  but never able to fully contain the image.

embroidery, terracota, purple thread, beige, mexican folklore

Beheaded deity

living here everywhere for all eternity

A memory from Mexico

A ghastly celebration, A cosmic allegory, A night carnival.

Grid Series

Acrylic on canvas

Various Sizes

2024

mosaic, abstract, eggs with soldiers, colorful

A good egg

An ordinary breakfast spilling abstraction, comfort versus control.
Food, Acrylici Painting, fudge, abstract background

Fudge festivities

A mellow journey Abstract destination sweet fudge delicate incantation

Moda FOCA

The first one of my batch not sure how it was but sunshine waited for this lass

Pipope

Galleta de Santa Clara en talavera, no es comestible, pero es de a deveras

Tetera

Golden outline, fragile tea finished in Falkland in the forest in the island

Pan Bueno

Pan de caja Lo que quiero Me lo llevo En la panza

Strawberry tart

A tongue sticking out of yer cake what the hell It is real Nae fake

Black treacle

The dark side of sugar Molases bespoke for the masses