MLitt Fine Art Practice School of Fine Art

Liúsaidh Ashley Watt

Liúsaidh is a visual artist whose practice expands the boundaries of photography through an exploration of ancestry, folklore, landscape, and identity. Her work is rooted in self-investigation, using a multi-modal approach to challenge traditional representations of landscape and to question how identity is shaped by place. Influenced by her upbringing in Shetland, the wild landscapes and local legends serve both as subject and collaborator in her work. Liúsaidh often combines portraiture and landscape, creating a co-dependent relationship between self and place. Even in the absence of her physical presence, the work remains a portrait, reflecting personal experience and a deep sense of being. Her work utilises visual codes to communicate internal perspectives, inviting viewers into worlds she constructs of duality, memory, and dreams. Liúsaidh’s current work continues to investigate the relationship between identity and place by incorporating Scottish folklore, ancient sites and rituals. There is a central focus on stones and the legends associated with them which is enacted through photography, sound, film, installation and interactive media.

“We are like the dreamer who dreams, and then lives inside the dream.”
– David Lynch, Twin Peaks: The Return

 

Contact
liusaidhawatt@gmail.com
A.MWatt1@student.gsa.ac.uk
liusaidhashleywatt.com
@liusaidhashleywatt
Works
My Body | My Land Installation
My Body | My Land Photographs
Various Video Works

My Body | My Land Installation

My Body | My Land is an installation that connects my viewer to the world I create. A land of night blooming heather. In this installation, there are films, sound works, sculpture, photography, ceramics, the written word, and scent. Together, all these elements combine to immerse audiences in a black-and-white world of duality, ritual, storytelling, and dreams.

Each individual work exists on its own while simultaneously functioning as a building block to this world, the one I inhabit within my mind, especially when interacting with the landscape. The characters featured are extensions of myself and display innocence, chaos, and power. They serve as gatherers and summoners, pulling from the land to connect to a higher being – transcending reality into a space of folklore and legend.

The Stone Circle, titled Grind o’ da Drømmer, offers a gateway into my world of endless hills, dark skies, stones, and dreams. Stepping into the centre, my audience is transported into the landscape with me. Bracing the winds and rain, welcoming all the elements that shape the land. Made from wood, wire, plaster, sand, and matte vinyl photographic prints, the series of five stones reflects the surreal nature of my world and invites viewers to step inside.