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landscape

Installation view showing A Red Silence, 2026

Chuying Xue

Devanath Valiya Veetil

dr. cevahir c. özdoğan

Yang Meng

‘Untitled’

‘Saakshyamaaya prakruthi’ Lithoprint & drawings, 2026

A Red Silence, 2026

A Red Silence

Oil painting of a river with buildings along its banks, a large tree on the left, and a yellow car on the right, painted in a limited palette of blue and green tones

A River of What Was

Almost Still, 2026

Almost Still

Beyond the Human Trace: Re-Mapping Heritage Through Human and More-Than-Human Perspectives

From Above, 2026

From Above

In the Distance, 2026

In the Distance

Oil painting showing the lower half of a seated figure weaving inside a kitchen, with mountains visible through the doorway, painted in tones of purple and green

Knitted

Oil painting divided into three sections, showing a highway bridge connecting two mountains at the top, fields, a pond and an old doorway in the middle, and a large elephant slide in the foreground

Mountain, an Elephant Was Waiting

Not Yet Faded, 2026

Not Yet Faded

Out of Place, 2026

Out of Place

Peatland Trace Archive: Landscape as Maker

Reactivating Building–Street Interfaces: Transforming Forres High Street into Spaces of Public Care

Oil painting of a kitchen interior merging with a mountain landscape, featuring a wood-burning stove, a wooden chair and a tree growing indoors

The Mountained Room

Oil painting of a small kitchen interior with wooden furniture and warm yellow and orange lighting

The Sun-Melted Room

Yn Arbyl