MLitt Fine Art Practice School of Fine Art
Karla Healy
Karla Healy’s artwork, much like her personality, is akin to marmite: dark, enigmatic and induces an ineffable curiosity.
The work presented for the postgraduate degree show, “C U Next Tuesday“, considers how late-capitalism and neoliberalism has contributed to the hypothetical end of the world that just happens to be taking place next Tuesday. The news of the impending apocalypse features in The End Times, the local tabloid newspaper. The End Times intends to alleviate public worries by sharing stories of how the wealthy are protecting themselves from the end times in bunkers, what’s hot to wear for seeing in the end of the world, and there’s even a free pull out poster for every reader.
Doomsday itself is heralded by the arrival of the 10 Donkey’s of the Apocalypse, (there are actually 12 but two have gone on holiday) and it is up to the viewer to decide which character within the print is the actual donkey.
What more could one ask for at the end of their existence?
A second segment, “Alienation“, reflects the reality for many sick, disabled, vulnerable and oppressed people in late capitalist times. Comprising of a selection of etchings and embossments, this work takes on a serious, more sombre tone compared with the colourful joviality of C U Next Tuesday.
In true capitalist style, everything is for sale. I still need to eat.
C U Next Tuesday
In C U Next Tuesday : The Donkey-People of the Apocalypse, I mock neoliberal politicians by reimagining them as absurd riders of the apocalypse, mounted on wretched donkeys and hybrids. This critique is based on the biblical Book of Revelation, with each politician highlighted by quotes showcasing their lack of intellectual and emotional depth. The aim is to expose the absurdity and destructive impact of their policies and personalities.
The End Times
The End Times is a satirical newspaper that mirrors the neoliberal media’s obsession with consumerism and control. This publication, written with a standard tabloid reading level suitable for primary aged children, essentially disregards the fictitious impending apocalypse, instead promoting aspirational lifestyles and seeking financial gain. It reflects upon how the media manipulates public perception, prioritising profit over truth, even as the world faces its end.
