Jimin Shim

(she/her)

Jimin works across sculpture, installation and video, exploring gendered power relations taken for granted in everyday life.

Drawing on personal experiences and observations, her work transforms and rearranges familiar objects and situations to reveal the social rules and hierarchies embedded within them. Through the properties and formal contrasts of materials, Shim explores themes of visibility, exposure and control, drawing attention to sensory states emerging from the contrast between the material and immaterial, and instability. Moving between the personal and political, Shim questions what is accepted as universal truth or common sense, inviting viewers to see the familiar from different perspectives.

School of Fine Art / MLitt Contemporary Art Practice / Jimin Shim / on the island off the police station,

on the island off the police station,

This two-channel video documents a floor sign made of soap and metal slowly melting in water in front of a police station. It explores the demands of gendered self-management and control through material processes of erosion, transformation and depletion, focusing on the uncontrolled relationship between action and material.

on the island off the police station,

color, sound, two-channel video, 8’31’’, 2026

Moon Crystal Power

Feeling frustrated by the lack of practical solutions for women despite the seriousness of digital sexual crimes, I visualised this feeling through a tool designed to prevent and destroy hidden cameras. The hammer-shaped tool, decorated with a character symbol from a magical girl anime, is disguised as a keyring, mimicking the way hidden-camera crimes conceal themselves within everyday life.

Moon Crystal Power

glass wax, dimensions variable, 2025

Moon Crystal Power
Moon Crystal Power

untitled

This performance documentation records an act of resistance through destruction, using Moon Crystal Power, an anti-hdden camera tool. Filmed across different cities and countries, the work follows private and public spaces where hidden-camera footage is produced, tracing the methods and traces of such illicit filming. By mimicking the format of such content while deliberately creating confusion and repeatedly disrupting immersion, the work emphasises a simple fact:

“We are not guilty.”

untitled

color, sound, single channel video, 4’55’’, 2026

Installation View - untitled

caution!

“Dress neatly, do not go out late at night, always smile, and be kind.”

This series reconstructs familiar public warning signs through contrasting materials such as soap, plaster, silicone, wax and metal. By connecting the language of everyday ‘caution’ and behavioural norms with the form of floor signs, the work explores how the language of safety, which asks women to protect and manage themselves, can function as a mechanism of regulation and responsibility.

caution!

mixed media sculpture series, dimensions variable, 2026

caution!

soap, silicone, plaster, dimensions variable, 2026

caution!

wax, candle wicks, metal, dimensions variable, 2026

caution!

soap, silicone, plaster, dimensions variable, 2026

caution!

soap, metal, dimensions variable, 2026

caution!

soap, metal, dimensions variable, 2026