Geti Liu

(she/her)

Geti Liu was born in China and is currently studying at the Glasgow School of Art.

Her practice revolves around memory, place, and environmental change. The work stems from her personal memories of a disappearing hometown landscape — the mountains, rivers, and trees she knew as a child, gradually replaced by roads and buildings amid rapid urban development.

Through painting, she tries to recall these transformed places, weaving together memory, emotion, and imagination to construct new landscape spaces. The scenes in her paintings are all drawn from real memories, and she likes to bring together various remembered elements within a single image. Shaped by the passage of time and the nature of memory itself, the paintings take on a blurred, fluid quality.Colour plays a central role in her work — it depicts the landscape while also conveying nostalgia, loss, and the emotions left behind by the passing of time, often rendered through vivid, saturated hues.

Through these works, Geti reflects on the connection between people and place, and considers how the traces left in memory continue to shape her perception and emotion when familiar environments change.

The Sun-Melted Room

A small painting based on the kitchen my grandmother built herself. Though the space no longer exists, it remains vivid in memory. Warm yellow and orange tones evoke the sunlight that once filled the room.

Oil on canvas, 2026, [20x35cm]

Oil painting of a small kitchen interior with wooden furniture and warm yellow and orange lighting
The Sun-Melted Room
Oil painting of a small kitchen interior with wooden furniture and warm yellow and orange lighting
The Sun-Melted Room

Installation view

The Mountained Room

A painting exploring memory and domestic space, developed from a smaller study of my grandmother’s kitchen. Here, a kitchen interior merges with a mountain landscape — mountains appear beyond the window, a tree grows within the room, dissolving the boundary between interior and exterior, and allowing memory, domestic life and nature to converge.

Oil on canvas, 2026, [65x85cm]

Oil painting of a kitchen interior merging with a mountain landscape, featuring a wood-burning stove, a wooden chair and a tree growing indoors
The Mountained Room
Detail of an oil painting showing a corner of a wooden table, part of a tree, a wooden cabinet, and a small blue bear figure
The Mountained Room

Detail view

Installation view of the painting displayed at the GSA Degree Show
The Mountained Room

Installation view

A River of What Was

A painting developed from a river that connects fragments of memory, including buildings I once lived in, a large tree, and a yellow car recalling childhood journeys with my father.

Oil on canvas, 2026, [100x80cm]

Oil painting of a river with buildings along its banks, a large tree on the left, and a yellow car on the right, painted in a limited palette of blue and green tones
A River of What Was
Detail of an oil painting showing layered brushwork on a large tree, rendered in tones of blue and green
A River of What Was

Detail view

Installation view of the painting displayed at the GSA Degree Show
A River of What Was

Installation view

School of Fine Art / MLitt Contemporary Art Practice / Geti Liu / Mountain, an Elephant Was Waiting

Mountain, an Elephant Was Waiting

A painting reconstructing the landscape of my hometown across three sections — a highway bridge above, fields and a doorway from my family home in the middle,  merging architecture, nature and memory into a dreamlike space.

Oil on canvas, 2026, [85x120cm]

Detail of an oil painting showing a large concrete elephant slide set within a rural landscape
Mountain, an Elephant Was Waiting

Detail view

Mountain, an Elephant Was Waiting

Detail view

Installation view of the painting displayed at the GSA Degree Show
Mountain, an Elephant Was Waiting

Installation view

Knitted

A painting reconstructed through memories of my grandmother. Only the lower half of a seated figure is shown, engaged in weaving, set within a kitchen interior with mountains visible beyond the doorway. The palette is dominated by purples and greens.

Oil on canvas, 2026, [60x85cm]

Oil painting showing the lower half of a seated figure weaving inside a kitchen, with mountains visible through the doorway, painted in tones of purple and green
Knitted
Detail of an oil painting showing the seated figure's hands and clothing while weaving, rendered in purple and green tones
Knitted

Detail view

Installation view of the painting displayed at the GSA Degree Show
Knitted

Installation view

Animals Series

A series of seven small paintings, each developed from a childhood memory of an animal — fragments preserved through small scale, subjective colour, and environmental detail.

Oil on canvas, 2026, [15x15cm 12.5x18cm]

 

Oil painting composed of seven small animal motifs arranged together — a horse, a rabbit, a turtle, a fish, an ant, a swallow, and a frog — each rendered as an individual fragment of childhood memory
Animals Series
Oil painting composed of seven small animal motifs arranged together — a horse, a rabbit, a turtle, a fish, an ant, a swallow, and a frog — each rendered as an individual fragment of childhood memory
Animals Series
Oil painting composed of seven small animal motifs arranged together — a horse, a rabbit, a turtle, a fish, an ant, a swallow, and a frog — each rendered as an individual fragment of childhood memory
Animals Series
Oil painting composed of seven small animal motifs arranged together — a horse, a rabbit, a turtle, a fish, an ant, a swallow, and a frog — each rendered as an individual fragment of childhood memory
Animals Series
Installation view of the painting displayed at the GSA Degree Show
Animals Series

Installation view

Installation view of the painting displayed at the GSA Degree Show
Animals Series

Installation view

Installation view of the painting displayed at the GSA Degree Show
Animals Series

Installation view