MSc Heritage Visualisation School of Innovation & Technology
Angus Pattison
I am a recent graduate of the MSc Heritage Visualisation programme in GSA’s School of Innovation and Technology. I am interested in how digital heritage experiences can be designed to empower disadvantaged communities, with particular focus on inclusive heritage interpretation and policy.
MSc Heritage Visualisation, Glasgow School of Art (2023-2024)
BA (Hons) Contemporary Art Practice, City of Glasgow College (2019-2023)
Scotland+Venice Professional Development Programme (2022)
Inclusive Design Strategies: Creating an Accessible Digital Heritage Experience for Older Adults
As we progress further into the digital age, it is critical to develop virtual heritage experiences that are equitable and accessible to technologically disadvantaged end-users. My master’s research project has focused on identifying the specific needs of end-users who are the least likely to engage with digital cultural heritage, and I have built a prototype smartphone application based on the needs of the ageing population. While engagement with digital technologies has proven to aid healthy cognitive ageing, many older adults are intimidated by complex digital technologies, and their needs are often unconsidered during the design of digital spaces.
The application showcases a photogrammetric model of the Govan sarcophagus which can be interacted with using touch screen. The interactions and user interface have been designed for minimal touch input and easy navigation to facilitate an intuitive experience.
Visualising Pre-Industrial Trade in Govan
This was a group project done in Semester 2 by Catherine Bellamy, Lu Hong, Lynsey Mcdougall and Angus Pattison.
Focused on Govan Old Parish Church, the video explores how the landscape has changed over time and its connections to the surrounding areas through local trade. We utilised a range of technologies and visualisation methods such as laser scanning and photogrammetry to showcase Govan Old Parish Church, a range of it’s pre-industrial gravestones and nearby Water Row.
Industrial Trade in Govan
Govan Old Churchyard is a historical site with abundant history. We hope to connect Govan Old Churchyard with Water Row and the River Clyde and create an exceptional Govan that is rooted in its historic and riverside context. Furthermore, to create a positive relationship with its people and attract more visitors. Govan’s archaeological and built heritage has huge potential to contribute to improving the popular image of Govan and to enhancing local pride.
The historic, economic and physical relationship with the river has defined Govan throughout the centuries and with it Water Row, which since ancient times has been a fording point of the River Clyde. We were intrigued about the Water Row bridge development, also the fact that Water Row used to be a natural crossing point in low tide. This got us thinking about how people travelled across the Clyde for work and how that would have changed when the Clyde was dredged.
To show the changes near Govan Church and Water Row from the 18th century to the 21st century, we use two-dimensional and three-dimensional presentation methods. Maps are displayed on a flat surface as an image resource. We hope to achieve the effect of superimposing changes on multiple maps so that the development of the same area can be seen.
We were interested in the Gravestones in the churchyard as they had different symbols carved into them such as shovels, crowns, hammers etc. We researched and found out more information about grave symbolism. Later, we took a laser scan of Water Row and the churchyard to get a detailed map of where everything was. Then we carried out some photogrammetry of the graves and mapped out where they were in relation to the point cloud. We used the model generated by photogrammetry to illustrate the relationship between grave symbolism and trade history of Govan.