Magdalena Szczerba
(she/they)
Magdalena develops METYK, a visual practice working across photography, moving image and material processes. Her work explores memory, time and transformation, tracing what happens to images as they move between analogue, material and synthetic forms. Through translation and intervention, she reflects on what remains, what changes and what becomes visible along the way.
Modes of Remembering
Modes of Remembering explores how geological, embodied and synthetic memory shape what remains through time. Centred on an encounter between AI-generated artworks and King’s Cave on the Isle of Arran, the project considers remembering not as the preservation of fixed records, but as an ongoing process of transformation, moderation and translation. Moving between material, bodily and synthetic forms, the work asks how traces are retained, altered or lost — and what remains available to the future.
Image from the artist publication Modes of Remembering, 2026.
For Sale: Price on Request
Still from moving-image work projected inside King’s Cave, Isle of Arran.
Image from the artist publication Modes of Remembering, 2026.
For Sale: Price on Request
Image from the artist publication Modes of Remembering, 2026.
For Sale: Price on Request
Van Dyke brown print and acrylic on canvas, wooden frame, 59.4 × 42 cm
For Sale: Price on Request
Van Dyke brown print and acrylic on canvas, wooden frame, 59.4 × 42 cm
For Sale: Price on Request
Image from the artist publication Modes of Remembering, 2026.
For Sale: Price on Request
Image from the artist publication Modes of Remembering, 2026.
For Sale: Price on Request
Van Dyke brown print and acrylic on canvas, wooden frame, 59.4 × 42 cm
For Sale: Price on Request
Woven jacquard, steel rods, 150 × 200 cm
For Sale: Price on Request
Moderation (Modes of Remembering)
Moderation is a moving-image work exploring the translation of human movement through artificial intelligence. Shaped by processes of generation, interpretation and refusal, the work was temporarily projected inside King’s Cave on the Isle of Arran, bringing synthetic figures into a space shaped by geological time and accumulated human traces. The encounter reflects on how different systems negotiate visibility: what is allowed to appear, what is transformed, and what is lost over time.
Cueva de la Pileta
Cueva de la Pileta emerged from photographs made inside the prehistoric cave in southern Spain, where photography is prohibited. Working with the limitations of the original images, the photographs were translated through Risograph printing, allowing the encounter to shift through colour, texture and material form.
Four-colour Risograph print on recycled paper, 29.7 × 42 cm
For Sale: Price on Reques
Four-colour Risograph print on recycled paper, 29.7 × 42 cm
For Sale: Price on Reques