Shimin Fan

(she)

Shimin Fan is a visual artist based in Glasgow, currently completing her MLitt in Fine Art Practice at the Glasgow School of Art (GSA).

Her practice centres on portrait painting and explores the psychological and emotional presence of the human face. Through observing people, facial expressions, and moments of eye contact, she is interested in how subtle emotions and individual presence can be communicated through painting.

Working primarily with acrylic paint, Fan uses expressive and often fluorescent colours to move beyond realistic representation. Her recent work considers the relationship between looking and being looked at, using portraiture as a way to explore emotion, perception, and the experience of encountering another person.

SEE

SEE is a series of portrait paintings exploring the experience of looking at others and being looked at. My interest in portraiture began with observing faces in everyday life. I am particularly drawn to brief moments of eye contact, subtle expressions, and the emotions that can appear through a person’s face.

Rather than creating an accurate representation of an individual, I use portraiture as a way to explore psychological presence. The faces are developed through observation, memory, and my personal impression of the subject. Some details are emphasised while others are simplified or left uncertain. Through this process, the portrait moves between recognition and ambiguity.

Colour plays an important role in the work. I use bright and fluorescent colours that often move away from natural skin tones. For me, these colours are not simply decorative; they suggest emotional and psychological states that cannot always be communicated through facial expression alone. The contrast between colour, gesture, and the gaze creates a sense of tension between the visible appearance of the subject and their internal world.

Living in a different cultural environment has also changed the way I observe people and think about identity. Encounters with unfamiliar faces have made me increasingly aware of how we read, judge, and imagine others through appearance.

Through SEE, I am interested in the face not only as an image of a particular person, but as a space where identity, emotion, distance, and vulnerability can exist together. The paintings ask what we actually understand about another person when we look at them—and what remains inaccessible.

Links
A portrait painting from the SEE series, featuring a figure in a dark red interior.
SEE Ⅰ

SEE Ⅰ, 2026,acrylic on canvas, 61x92cm

For Sale: 100

A portrait painting of a man looking at his phone while sitting on the subway.
SEE Ⅱ

SEE II, 2026, acrylic on canvas, 61x92 cm

For Sale: 100

A portrait painting of a standing figure with crossed arms, wearing a pink jacket and blue trousers.
SEE Ⅲ

SEE III, 2026, acrylic on canvas, 61x92cm

For Sale: 100

A portrait painting of a standing blond man wearing a blue jacket against a red background.
SEE Ⅳ

SEE IV, 2026, acrylic on canvas, 61x92cm

For Sale: 100