This project is five tiny triangle trailers that constitute a train bar which contains multiple functions, holds a narrative of retelling an otherworldly life of the things in glass cup based on their motions’ moments through a making drinks process that presented on each trailer space in surrealism form. The site is located on Lancefield Quay, while as trailer’s movable feature, it can flexibly move to any other places. For defining ‘host’ in this project, I identified the ‘host’ in space and object two aspects, considering the host as container to hold our everyday life. The trailer space as host to provide areas for holding our daily activities such as a date, teatime, and rest. While for objects indoors, I intersect supernatural concept, considering they are alive, have soul, waiting for other interactions to give them a unique characteristic, define functions or form a metaphor as parasite in their body, which could be showed in their special appearance, and they become the owner host of this space.

The path of study begins with following Elizabeth Grosz’s perspective of the thing has its own life and characteristics by human interactions, the project is intended to rebuild our intimate relationship with everyday objects, as the less awareness of objects in our daily life can be intensified by observing the things in surrealism that make the familiar things marvellous, which rethinking on Daniel Miller’s ‘the humility of thing’ that it’s often we do not see things, and based on Ben Highmore pointed out ‘everyday is where the marvelous exists’, transforming daily moments in our everyday objects into surrealist space.