MLITT FINE ART PRACTICE

Stow Building, 38 students

The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.

The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.

Catalogue

MLItt 2023

Selfie in the City

from PRESS PLAY

from PRESS PLAY

from PRESS PLAY

from PRESS PLAY

from PRESS PLAY

from CROSSING THE VISIBLE LINE

from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from CROSSING THE VISIBLE LINE

from Color Block Patch Plan: Turning Chaos into Order

from Memories Puzzle

from Fading Echoes

from Memories Puzzle

from Memories Puzzle

from Fading Echoes

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Furniture sketch IV

from Furniture sketch I

from Installation shot

from Furniture sketch I

from Furniture sketch II

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from how do we know that we live in a simulation?

from Emma

from Emma

from Emma

from Emma

from 35mm Photography

from ‘That Which Holds You’ Installation

from ‘That Which Holds You’ Installation

from ‘That Which Holds You’ Installation

from ‘That Which Holds You’ Installation

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from WEN CAI

from WEN CAI

from WEN CAI

from WEN CAI

from WEN CAI

from Scene, Femme

Allegory Installation

from Allegory Installation

from Scene, Femme

Allegory Installation

from Allegory Installation

from Allegory, Femme

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

After firing

from Growth

from Growth

from Growth

from Degree Show Venue

from Phantom Pain

from Process

from Phantom Pain

from Phantom Pain

from The Gluttonous Feast- back to the wall

from Soundless Roar

from Leisure Time

from Untitled

from Nurikabe

from Nurikabe

from Nurikabe

from Nurikabe

[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?

from If It Was Here

from If It Was Here

from If It Was Here

from If It Was Here

from If It Was Here

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from Symbiont

from Symbiont

from Symbiont

from Symbiont

from Symbiont

from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space

from Give up Bothering

from Stand and Lean

from Stand and Lean

from On the Way

from Less and More

from “Mind Your Head, Mind Your Heart III”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”

from Held Together

from Waiting in the Sun

from Held Together

from Held Together

from Found Mud

from Installation1

Acrylic paint on canvas, 90 x 90 cm, April 2023

from Drawings

from Installation2

from Painting, Painting, Painting Forever and Ever

from Painting, Painting, Painting Forever and Ever

from The Ghost

from The Ghost

from Painting, Painting, Painting Forever and Ever

from Deep Acting

from Waltz floor

from Deep Acting

from Deep Acting

from Waltz floor

from 20/40

from 20/40

from tsa-bóo. 女

from tsa-bóo. 女

from 20/40

from Degree Show installation

from Any January

from Degree Show installation

from Degree Show installation

from Degree Show installation