In the creative process of the work “Nurikabe,” I employed a plethora of electronic devices to delve into the interplay between technology and childhood recollections. Through this conduit, I endeavored to rekindle the modern individual’s “lost spiritual abode.” The composition of the artwork is predominantly derived from damaged electronic apparatuses found in the corners of urban locales. I posit that these damaged materials retain fragments of their owner’s memories, while the spiritual home remains concealed within some of our forsaken recollections. With these fragmented memories, I fashioned a Frankensteinian “memory creature.”